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Rather, the Raw datasets are more like exposed but undeveloped film which can be converted electronically developed in a non-destructive manner multiple times in observable, reversible steps to reach a visually desired image.

With exposed film, development is a single event that physically transforms the unexposed film irreversibly. Like undeveloped photographic film, a raw digital image may have a wider dynamic range or color gamut than the developed film or print.

Unlike physical film after development, the Raw file preserves the information captured at the time of exposure. The purpose of raw image formats is to save, with minimum loss of information, data obtained from the sensor. Raw image formats are intended to capture the radiometric characteristics of the scene, that is, physical information about the light intensity and color of the scene, at the best of the camera sensor’s performance.

Most raw image file formats store information sensed according to the geometry of the sensor’s individual photo-receptive elements sometimes called pixels rather than points in the expected final image: sensors with hexagonal element displacement, for example, record information for each of their hexagonally-displaced cells, which a decoding software will eventually transform into the rectangular geometry during “digital developing”.

Raw files contain the information required to produce a viewable image from the camera’s sensor data. The structure of raw files often follows a common pattern:.

Panasonic’s raw converter corrects geometric distortion and chromatic aberration on such cameras as the LX3 , [4] [5] [6] with necessary correction information presumably included in the raw. In digital photography , the raw file plays the role that photographic film plays in film photography. Raw files thus contain the full dynamic range typically or bit data as read out from each of the camera’s image sensor pixels.

The camera’s sensor is almost invariably overlaid with a color filter array CFA , usually a Bayer filter , consisting of a mosaic of a 2×2 matrix of red, green, blue and second green filters.

Other sensors, such as the Foveon X3 sensor , capture information directly in RGB form using three pixel sensors in each location. This RGB raw data still needs to be processed to make an image file, because the raw RGB values correspond to the responses of the sensors, not to a standard color space like sRGB. As there is no color filter array, there is no need for demosaicing. Flatbed and film scanner sensors are typically straight narrow RGB or RGBI where “I” stands for the additional infrared channel for automatic dust removal strips that are swept across an image.

The HDRi raw data format is able to store the infrared raw data, which can be used for infrared cleaning , as an additional bit channel.

The remainder of the discussion about raw files applies to them as well. Some scanners do not allow the host system access to the raw data at all, as a speed compromise. The raw data are processed very rapidly inside the scanner to select out the best part of the available dynamic range so only the result is passed to the computer for permanent storage, reducing the amount of data transferred and therefore the bandwidth requirement for any given speed of image throughput.

To obtain an image from a raw file, this mosaic of data must be converted into standard RGB form. This is often referred to as “raw development”. When converting from the four-sensor 2×2 Bayer-matrix raw form into RGB pixels, the green pair is used to control the luminance detail of the processed output pixel, while the red and blue, which each have half as many samples, are used mostly for the more slowly-varying chroma component of the image.

If raw format data is available, it can be used in high-dynamic-range imaging conversion, as a simpler alternative to the multi-exposure HDI approach of capturing three separate images, one underexposed, one correct and one overexposed, and “overlaying” one on top of the other. Providing a detailed and concise description of the content of raw files is highly problematic. There is no single raw format; formats can be similar or radically different. Different manufacturers use their own proprietary and typically undocumented formats, which are collectively known as raw format.

Often they also change the format from one camera model to the next. Several major camera manufacturers, including Nikon, Canon and Sony, encrypt portions of the file in an attempt to prevent third-party tools from accessing them.

This industry-wide situation of inconsistent formatting has concerned many photographers who worry that their valuable raw photos may someday become inaccessible, as computer operating systems and software programs become obsolete and abandoned raw formats are dropped from new software.

The availability of high-quality open source software which decodes raw image formats, particularly dcraw , has helped to alleviate these concerns. An essay by Michael Reichmann and Juergen Specht stated “here are two solutions — the adoption by the camera industry of A: Public documentation of RAW [sic] formats; past, present and future, or, more likely B: Adoption of a universal RAW [sic] format”.

DNG is the only raw image format for which industry-wide buy-in is being sought. By September , several camera manufacturers had started to announce support for DNG in newer camera models, including Leica , Samsung , Ricoh , Pentax , Hasselblad native camera support ; and, Better Light export.

TIF” extension, and “IP 2” for “raw” image data, “. DNG” extension”. DNG has been used by open-source developers. Smaller companies and makers of “niche” cameras who might otherwise have difficulty getting support from software companies frequently use DNG as their native raw image format.

Pentax uses DNG as an optional alternative to their own raw image format. There are 15 or more such companies, even including a few that specialize in movie cameras. To be viewed or printed, the output from a camera’s image sensor has to be processed, that is, converted to a photographic rendering of the scene, and then stored in a standard raster graphics format such as JPEG.

This processing, whether done in-camera or later in a raw-file converter, involves a number of operations, typically including: [35] [36]. Cameras and image processing software may also perform additional processing to improve image quality, for example:.

When a camera saves a raw file it defers most of this processing; typically the only processing performed is the removal of defective pixels the DNG specification requires that defective pixels be removed before creating the file [41].

Some camera manufacturers do additional processing before saving raw files; for example, Nikon has been criticized by astrophotographers for applying noise reduction before saving the raw file. Some raw formats also allow nonlinear quantization. Although noise is discarded this has nothing to do with visible noise reduction. Nearly all digital cameras can process the image from the sensor into a JPEG file using settings for white balance , color saturation , contrast , and sharpness that are either selected automatically or entered by the photographer before taking the picture.

Cameras that produce raw files save these settings in the file, but defer the processing. This results in an extra step for the photographer, so raw is normally only used when additional computer processing is intended. However, raw has numerous advantages over JPEG such as:. Cameras that support raw files typically come with proprietary software for conversion of their raw image data into standard RGB images. Other processing and conversion programs and plugins are available from vendors that have either licensed the technology from the camera manufacturer or reverse-engineered the particular raw format and provided their own processing algorithms.

In January , Apple released iPhoto 5, which offered basic support for viewing and editing many raw file formats. Semi-regular updates to macOS generally include updated support for new raw formats introduced in the intervening months by camera manufacturers. In , Apple announced that iOS 10 would allow capturing raw images on selected hardware, and third party applications will be able to edit raw images through the operating system’s Core Image framework.


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